Understanding the New York Mayor's Style Statement: The Garment He Wears Tells Us About Modern Manhood and a Changing Society.
Coming of age in the British capital during the 2000s, I was constantly immersed in a world of suits. They adorned businessmen hurrying through the Square Mile. They were worn by dads in the city's great park, playing with footballs in the evening light. Even school, a cheap grey suit was our mandatory uniform. Traditionally, the suit has functioned as a costume of gravitas, projecting power and professionalism—traits I was expected to aspire to to become a "adult". Yet, until lately, people my age seemed to wear them infrequently, and they had largely disappeared from my consciousness.
Then came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony wearing a subdued black overcoat, crisp white shirt, and a notable silk tie. Riding high by an ingenious campaign, he captured the world's imagination like no other recent contender for city hall. But whether he was celebrating in a music venue or attending a film premiere, one thing remained mostly unchanged: he was frequently in a suit. Relaxed in fit, contemporary with soft shoulders, yet conventional, his is a typically professional millennial suit—well, as common as it can be for a cohort that rarely bothers to wear one.
"This garment is in this strange place," notes men's fashion writer Derek Guy. "It's been dying a gradual fade since the end of the Second World War," with the significant drop coming in the 1990s alongside "the advent of business casual."
"Today it is only worn in the most formal locations: weddings, funerals, to some extent, legal proceedings," Guy states. "It is like the kimono in Japan," in that it "essentially represents a custom that has long retreated from everyday use." Numerous politicians "wear a suit to say: 'I am a politician, you can trust me. You should vote for me. I have authority.'" Although the suit has traditionally conveyed this, today it enacts authority in the attempt of winning public trust. As Guy elaborates: "Since we're also living in a democratic society, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a nuanced form of performance, in that it performs manliness, authority and even closeness to power.
This analysis resonated deeply. On the infrequent times I require a suit—for a wedding or formal occasion—I dust off the one I bought from a Tokyo department store a few years ago. When I first selected it, it made me feel refined and expensive, but its tailored fit now feels outdated. I suspect this feeling will be all too familiar for many of us in the diaspora whose families come from other places, particularly developing countries.
It's no surprise, the everyday suit has fallen out of fashion. Like a pair of jeans, a suit's shape goes through cycles; a specific cut can thus characterize an era—and feel rapidly outdated. Consider the present: looser-fitting suits, echoing a famous cinematic Armani in *American Gigolo*, might be trendy, but given the price, it can feel like a considerable investment for something destined to fall out of fashion within five years. But the attraction, at least in some quarters, persists: recently, department stores report suit sales increasing more than 20% as customers "shift from the suit being daily attire towards an appetite to invest in something exceptional."
The Politics of a Accessible Suit
Mamdani's preferred suit is from a contemporary brand, a Dutch label that retails in a moderate price bracket. "He is precisely a product of his background," says Guy. "In his thirties, he's not poor but not exceptionally wealthy." Therefore, his mid-level suit will appeal to the group most inclined to support him: people in their 30s and 40s, college graduates earning professional incomes, often frustrated by the expense of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits arguably don't contradict his proposed policies—such as a capping rents, building affordable homes, and free public buses.
"You could never imagine a former president wearing this brand; he's a luxury Italian suit person," says Guy. "As an immensely wealthy and grew up in that property development world. A status symbol fits seamlessly with that tycoon class, just as attainable brands fit naturally with Mamdani's cohort."
The legacy of suits in politics is long and storied: from a former president's "shocking" beige attire to other world leaders and their notably impeccable, custom-fit appearance. As one British politician discovered, the suit doesn't just clothe the politician; it has the power to define them.
The Act of Banality and Protective Armor
Perhaps the point is what one academic calls the "enactment of banality", invoking the suit's long career as a standard attire of political power. Mamdani's particular choice taps into a studied understatement, not too casual nor too flashy—"respectability politics" in an unobtrusive suit—to help him appeal to as many voters as possible. However, experts think Mamdani would be aware of the suit's historical and imperial legacy: "The suit isn't apolitical; historians have long pointed out that its modern roots lie in imperial administration." Some also view it as a form of defensive shield: "I think if you're a person of color, you might not get taken as seriously in these traditional institutions." The suit becomes a way of asserting legitimacy, perhaps especially to those who might question it.
This kind of sartorial "changing styles" is not a recent phenomenon. Even historical leaders once wore three-piece suits during their early years. These days, other world leaders have started exchanging their usual fatigues for a black suit, albeit one without the tie.
"In every seam and stitch of Mamdani's image, the tension between belonging and otherness is apparent."
The attire Mamdani selects is highly significant. "Being the son of immigrants of South Asian heritage and a progressive politician, he is under pressure to conform to what many American voters look for as a sign of leadership," notes one author, while at the same time needing to navigate carefully by "avoiding the appearance of an elitist selling out his non-mainstream roots and values."
Yet there is an sharp awareness of the double standards applied to who wears suits and what is interpreted from it. "That may come in part from Mamdani being a millennial, able to assume different identities to fit the situation, but it may also be part of his multicultural background, where code-switching between languages, customs and clothing styles is common," commentators note. "Some individuals can go unremarked," but when others "seek to gain the power that suits represent," they must carefully navigate the codes associated with them.
Throughout the presentation of Mamdani's public persona, the dynamic between somewhere and nowhere, inclusion and exclusion, is visible. I know well the discomfort of trying to fit into something not built for me, be it an inherited tradition, the society I was born into, or even a suit. What Mamdani's style decisions make clear, however, is that in politics, appearance is never without meaning.